December 14, 2019
After having been an icon of Christian conservatism and white people in general, Taylor Swift has spent the last year or so fashioning herself as a fat, 30-year-old leftist fag-hag.
Now all of a sudden she decides to go on an anti-Semitic rant.
Taylor Swift again commented on her ongoing feud with Scooter Braun during her Woman of the Decade award speech during Billboard’s 2019 Women in Music event.
Swift previously called out Braun after his company purchased Big Machine Label Group and the master rights to her first six albums and allegedly tried to prevent her from performing at the American Music Awards, to which Braun responded in a public statement on social media.
Now Swift is calling out the other parties involved, including George Soros, 23 Capital and the Carlyle Group.
“This just happened to me without my approval, consultation or consent,” Swift said during her speech, which also discussed sexism in the music industry. “After I was denied the chance to purchase my music outright, my entire catalog was sold to Scooter Braun’s Ithaca Holdings in a deal that I’m told was funded by the Soros family, 23 Capital and that Carlyle Group. Yet, to this day, none of these investors have bothered to contact me or my team directly — to perform their due diligence on their investment. On their investment in me. To ask how I might feel about the new owner of my art, the music I wrote, the videos I created, photos of me, my handwriting, my album designs.”
She continued, “And of course, Scooter never contacted me or my team to discuss it prior to the sale or even when it was announced. I’m fairly certain he knew exactly how I would feel about it, though, and let me just say that the definition of toxic male privilege in our industry is people saying ‘but he’s always been nice to me’ when I’m raising valid concerns about artists and their right to own their music. And of course he’s nice to you — if you’re in this room, you have something he needs.”
She added, “The fact is that private equity enabled this man to think, according to his own social media post, that he could ‘buy me.’ But I’m obviously not going willingly.”
After Braun purchased Scott Borchetta’s Big Machine Label Group (and therefore the rights to Swift’s music), the singer announced plans to re-record her first six albums, which she discussed in a recent cover interview for Billboard.
“We need to think about how we handle master recordings, because this isn’t it,” Swift told Billboard. “When I stood up and talked about this, I saw a lot of fans saying, ‘Wait, the creators of this work do not own their work, ever?’ I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it… God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me.”
Scooter Braun (obviously) is a Jew.
And saying that Jews buy up the catalogs of recording artists and then deny them earnings from their own music is an anti-Semitic trope-canard.
But adding the detail that he got the money to purchase the blonde Swift’s catalog from the Jewish overlord George Soros – that takes this to the level of a Nuremberg Rally speech.
(The Carlyle Group is probably the least Jewish private equity firm, given that only one of the three founders of it is Jewish, but it is still basically a Jewish organization.)
She has to have known that you’re not ever allowed to talk about Jews. And she has to know that globally, anyone who even says the name “George Soros” is accused of anti-Semitism.
But she decided to go ahead and give this speech anyway.
She might as well have just said “these Jews are drinking our blood,” because that is what all Jews who hear this speech are going to hear.
Swift is much more intelligent than the overwhelming majority of recording artists. Just imagine what happens to the blacks, who end up living on the streets after being #1 hit makers.
Braun is trying to tell Swift that she can’t perform her own songs on stage, which I think demonstrates that this entire concept of copyright, as it currently works, is a Jewish scam. I’m not necessarily going to say that copyright should simply stop existing completely, but I think it should expire after a maximum of five years.