May 20, 2017
Such inspiration. So channeled by God. Wow.
Few creative industries in the West have taken a bigger dive in the last century than the art industry. What was once the leading producer of high culture in Western societies has, decade after excruciating decade, been desecrated and trampled on to such an extent that the majority of its modern creations barely qualify as “art” at all.
And yes, the goddamn kikes were behind it.
The Jews’ reasons for corrupting the art world were twofold. Firstly, and most obviously, doing so is an effective way to defile White culture and earn a lot of shekels in the process.
Gentile children have nightmares about monsters. Jewish children have nightmares about Botticelli.
The second, less obvious reason for the corruption is that the art world is a efficient vehicle for money laundering due to its subjective pricing, volatile markets, lack of regulation, and the tradition of privacy among buyers and sellers. Therefore, if you can reshape an industry to the point where 30-second finger paintings can sell for tens of millions of dollars, you have a perfect cover for behind-the-scenes transactions that are far less legitimate.
The result? An industry dominated by culture-wrecking Jews who buy and sell absolute crap for a fortune – because they weren’t trading for the artwork in the first place.
Sometimes, however, you get the occasional goy who gets caught up in the hype and pays a fortune for the actual painting.
Case in point: Mr. Yusaku Maezawa.
A painting by the late artist Jean-Michel Basquiat has sold at auction in New York for $110.5m (£85.4m).
That is nearly double the price of his previous most expensive work, bought by the same person a year ago.
It has broken several other records including becoming the most expensive work by any US artist.
It is also the highest price fetched for any art by a black artist and the first piece created since 1980 to break the $100m mark.
The untitled work was done in oil stick, acrylic and spray paint, and depicts a face in the shape of a skull.
It was sold to Yusaku Maezawa, a 41-year-old Japanese fashion entrepreneur who plans to set up a museum in his home town of Chiba.
I guess it’s possible that this Jap is up to something shady. I mean, $100 million is a lot of money, even for a billionaire. More than likely, though, he just thinks that Jean-Michel Basquiat is a good artist. In fact, he basically says as much:
Bidding for the piece during the auction at Sotheby’s lasted 10 tense minutes. Cheers and applause erupted in the room when the work was sold to Mr Maezawa by telephone.
He later posted on Instagram that the painting made him feel “so much excitement and gratitude for my love of art”, a feeling he wished to share with “as many people as possible”.
For those of you who aren’t aware, Jean-Michel Basquiat isn’t a Frenchman. He’s an African-Hispanic mongrel from New York whose paintings encapsulate what it means to have an IQ of 75:
This is basically what you’d get if you handed an actual chimp some paints and brushes.
No really, chimps paint this sort of thing all the time.
A Jew named Julian Schnabel released a biopic of Basquiat in 1996. Though I can’t recommend the film on moral grounds (Basquiat preferred White women and the film isn’t afraid to show it), it does provide insight into how sick and Jewified the art world has become – and that was back in the 1980s.
Don’t become too disheartened, though.
On a genetic level, nothing is stopping White people from reaching the same heights in art that we reached hundreds of years ago. Contemporary Whites are composed of the same DNA that Michelangelo, Caravaggio and Botticelli were, and once we purge the world of the Eternal Jew, such genius can – and will – manifest itself again.
What thrives now will be destroyed. What came before will be renewed.