October 21, 2017
That poor dog is more human than any Jew could ever be.
We all know that dogs are man’s best friend.
But if that’s true, how can we be so cruel as to let even a single one in the care of Jews? Because if you think these kikes do normal dog stuff with these animals, you’re sadly mistaken.
Much like everything else, to a Jew a pet is nothing but a tool to satisfy their perverse, neurotic urges.
For example, they might get dogs to breastfeed on some Jewess’ milk. The whole thing would be photographed as well, presumably so as to shame the dog’s ancestors even further.
We need to get PETA involved.
A Slovenian artist breastfed her dogs and fertilized one of her eggs with a dog cell as part of an award-winning three-month art project. She also produced a video documenting the creative process behind the bizarre venture.
The creature in question.
Maja Smrekar lived in seclusion with her dogs as part of the lengthy artistic experiment, which was titled “K-9_topology.”
During that time, she triggered her body to produce breast milk by systematic breast pumping. She then breastfed her puppy Ada to explore “the social and ideological instrumentalization of the female body and breastfeeding.”
In case you were wondering what that meant, don’t bother. It’s just Jew nonsense. This is the sort of phrases they use in critical theory circles in order to obfuscate the fact that their ideas are meaningless or childishly simplistic.
Search “critical theory” and this is the type of crap you’ll find.
Modern “artists” often adopt this kind of obscure language in order to compensate for the fact that their “art” usually consists of them grossing people out with their body fluids, rather than creating works of beauty and skill.
Smrekar also took a fat cell from another dog, Byron, and used it to fertilize one of her eggs using a method similar to IVF.The fat cell was a non-sexual cell, so no dog’s sperm was used in the project.
Imagine if a dog had been born contaminated with Jew DNA.
Who authorized such reckless science?
The artist said on her website that the project grew out of the “observation of zeitgeist through the so called thanatopolitical dimension of contemporary biopolitical practices.” She created a video (parts NSFW) depicting all the stages of the artistic work.
Despite the bizarre nature of the project, it proved remarkably popular with experts and was awarded the top prize in the Hybrid art section of the Prix Ars Electronica, one of the best known prizes in the field of electronic and interactive art.
“Experts” and “art critics” love this sort of stuff, precisely because it’s so insane and unpleasant that normal people inevitably hate it. That means that by “appreciating” this type of art, they can pretend to have distinguished tastes superior to the worthless proles.
Of course, they also love the specifically Jewish character of this “art performance.”
The “artist” writes on her website:
I would identify very much with a character from the novel titled “Adam Ben Kelev” of the Israeli writer Yoram Kaniuk, who takes the concept of being treated like a dog to its absurdist limits by exploring the extreme case of survivor’s guilt after the war, while poses familiar questions about who is sane in an insane world.
First published in Hebrew in 1969, this maniacal masterpiece has come to be recognised as one of the central works of Holocaust literature. It is about a famous performing artist Adam Stein who scooped up by the Nazis, is forced to accept a Faustian arrangement: he lives in comfort at a concentration camp as the pet dog along with a real German Shepherd of Commandant Klein, a Nazi officer who remembers Adam’s night club animal act. When not a pet, Adam is forced to play the violin and serenade his fellow prisoners, including his wife and daughter, as they are marched to the gas chambers.
Yeah, I can see the inspiration… Sickening.
This sick, perverted display is actually supposed to be some kind of Jewish holocaust role-playing fantasy. And the art critics are loving it – which isn’t surprising, considering the overwhelmingly Jewish nature of that field.
This only goes to show that the entire field of modern art needs to be cleansed with fire.